He also acted in a number of episodes.įrom the 1960s until the early 1980s, Lloyd produced and directed for TV, working on series including “Columbo.” “The Name of the Game” drew the best drama series Emmy 1970, and he shared the award with the other producers. He went on to exec produce “The Hitchcock Hour” and directed several episodes of both series. In 1957, Hitchcock insisted on hiring Lloyd as associate producer for his TV series “Alfred Hitchcock Presents,” a move that Lloyd would later credit with saving him from the blacklist. Lincoln.” On the first installment, a young Stanley Kubrick was second unit director. Lloyd’s first introduction to behind-the-scenes work was as an assistant on Lewis Milestone’s “Arch of Triumph” (1948), which starred Ingrid Bergman, Charles Boyer and Charles Laughton.įor the TV anthology “Omnibus” (1952-53), he directed an acclaimed five-part miniseries about Abraham Lincoln, “Mr.
#St. elsewhere professional#
Rather than participating in Welles’ next film, “Citizen Kane,” Lloyd initiated a long-lasting professional relationship with Alfred Hitchcock when the director cast the actor in “Saboteur.” Lloyd also had a supporting role in Hitchcock’s classic “Spellbound.” When Welles merged the theater and radio components of the Mercury Theater and moved the troupe to Hollywood in 1940, Lloyd joined them in order to act in Welles’ version of “Heart of Darkness.” The project ended before filming began. Lloyd’s work with the Mercury Theater led to further radio performances, including on Norman Corwin’s “The Undecided Molecule.” In 1938, Welles, already a radio performer, created “Mercury Theater on the Air,” a series of hourlong dramas featuring his troupe. Lloyd’s small but critical role as Cinna the Poet in the 1937 production won him critical acclaim.
The troupe’s first effort was a controversial staging of “Julius Caesar,” written by Welles and set in fascist Italy. In addition to Welles and Houseman, the Mercury players included actors such as Joseph Cotten, Vincent Price and Agnes Moorehead. Lloyd began his eight-decade showbiz career in theater, appearing first with Eva Le Galienne’s Civic Repertory Theater, then joining the original company of the Orson Welles-John Houseman Mercury Theater. Auschlander on NBC’s prestige medical drama “St. But the hard-working multihyphenate gained his highest profile only in his late 60s and 70s when he appeared as the wise physician Dr.